"Alone on stage, Pascaline Ponti plays the Racinian score with an extraordinary talent, which gives flesh to the verb and makes it heard with a singular acuity. In a breath, she moves from one character to another with skill. The inflection of the voice and the timbre change, some details also in the expression of the face or the posture of the body, and immediately the relay takes place. It is magnificent. The viewer is never lost and grasps the tragedy by the power of the Alexandrian. "This loneliness frees me from identification. The roles, here, are discarded in favor of the verb. The Alexandrine becomes the sole protagonist of the drama. The voice changes tone. Where is this talking about? Who is speaking? I hear a voice, that of Racine, a unique but haunted voice. I keep myself in a state of availability. I am a transitory abode. I'm not grabbing anything. Phèdre, it's not me. I am the passionate and disinterested interpreter. "

she confided in our columns. The result is largely up to its ambition,both very lofty and humble.

In supple pants and a T-shirt, supported by a few lights, Pascaline Ponti achieves an exceptional performance, of astonishing strength. "
Agnes Santi La Terrasse